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Tom Cruise – actor, producer, daredevil. The face of Hollywood in the 1980s, after a mid-career meltdown, his future looked in doubt. But through a single-minded commitment to entertaining audiences worldwide, he has risked life and limb and fought his way back to the very top. In an entertainment world dominated by superheroes and fantasy franchises, he stands alone… the last movie star.
After the destruction of the Twelve Colonies of Mankind, the last major fighter carrier leads a makeshift fugitive fleet in a desperate search for the legendary planet Earth. This film is adapted from a television series that aired on ABC from September 17, 1978, to August 17, 1980. The first and fifth episodes of the series were edited into this theatrical feature film. Taken together, the two episodes ran 148 minutes, without commercials, while the film runs 125 minutes.
In 1980s Hollywood, action star Johnny Cage is looking to become an A-list actor. But when his costar, Jennifer, goes missing from set, Johnny finds himself thrust into a world filled with shadows, danger, and deceit. As he embarks on a bloody journey, Johnny quickly discovers the City of Angels has more than a few devils in its midst.
Xatar’s way from the ghetto to the top of the charts is as dramatic as it is daring: Fatih Akin’s new film is based on the autobiographical novel »Alles oder Nix« (»All or Nothing«) of the probably most authentic exponent of German gangsta rap. From the hell of an Iraqi jail, Giwar Hajabi (Emilio Sakraya) emigrated to Germany as a young boy with his family in the mid-1980s and has to start right at the bottom. There are opportunities, but far more obstacles. Giwar’s rise from petty criminal to major dealer is swift. Until one shipment goes missing. In order to clear his debts with the cartel, he plans a legendary gold heist. But just as everything goes wrong, another door opens for Giwar thanks to his passion for music …
St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed Flanders, Norman Lloyd and William Daniels as teaching doctors at a lightly-regarded Boston hospital who gave interns a promising future in making critical medical and life decisions. The series was produced by MTM Enterprises, which had success with a similar NBC series, the police drama Hill Street Blues, during that same time; both series were often compared to each other for their use of ensemble casts and overlapping serialized storylines. St. Elsewhere was filmed at CBS/MTM Studios, which was known as CBS/Fox Studios when the show began; coincidentally, 20th Century Fox wound up acquiring the rights to the series when it bought MTM Enterprises in the 1990s.
Known for its combination of gritty, realistic drama and moments of black comedy, St. Elsewhere gained a small yet loyal following over its 6-season, 137-episode run; the series also found a strong audience in Nielsen’s 18-49 age demographic, a young demo later known for a young, affluent audience that TV advertisers are eager to reach. The series also earned critical acclaim during its run, earning 13 Emmy Awards for its writing, acting, and directing. St. Elsewhere was ranked #20 on TV Guide’s 2002 list of “The 50 Greatest TV Shows of All Time.”, with the magazine also selecting it as the best drama series of the 1980s in a 1993 issue.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
The drug trafficking drama is inspired by the true story of two brothers who rose from the decaying streets of southwest Detroit in the late 1980s and gave birth to one of the most influential crime families in the country. It revolves around brothers Demetrius “Big Meech” Flenory and Terry “Southwest T” Flenory, who together took their vision beyond the drug trade and into the world of hip-hop. The drama, per Starz, will tell a story about love, family and capitalism in the pursuit of the American dream.
The drug trafficking drama is inspired by the true story of two brothers who rose from the decaying streets of southwest Detroit in the late 1980s and gave birth to one of the most influential crime families in the country. It revolves around brothers Demetrius “Big Meech” Flenory and Terry “Southwest T” Flenory, who together took their vision beyond the drug trade and into the world of hip-hop. The drama, per Starz, will tell a story about love, family and capitalism in the pursuit of the American dream.
Music, art and chaos in the wild West-Berlin of the 1980s. The walled-in city became the creative melting pot for sub- and pop-culture. Before the iron curtain fell, everything and anything seemed possible. B-Movie is a fast-paced collage of mostly unreleased film and TV footage from a frenzied but creative decade, starting with punk and ending with the Love Parade, in a city where the days are short and the nights are endless. Where it was not about long-term success, but about living for the moment – the here and now.
Documentary charting the raucous history of the infamous spring vacation revelries in Daytona, which started in the early 60s, and by the 1980s led to the arrival of tens of thousands of college students, lured by lust, booze, fun in the sun and eventually, the hope to make it onto MTV.
Cidade de Deus is a shantytown that started during the 1960s and became one of Rio de Janeiro’s most dangerous places in the beginning of the 1980s. To tell the story of this place, the movie describes the life of various characters, all seen by the point of view of the narrator, Buscapé. Buscapé was raised in a very violent environment. Despite the feeling that all odds were against him, he finds out that life can be seen with other eyes…
In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
When Fred gets out of prison, he decides to start over in Miami, where he starts a violent one-man crime wave. He soon meets up with amiable college student Susie. Opposing Fred is Sgt Hoke Moseley, a cop who is getting a bit old for the job, especially since the job of cop in 1980’s Miami is getting crazier all the time.
Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
Debbie Taylor is a former 1980s pop star bent on making a comeback and returning to the Billboard charts. As she prepares to once again take the music industry by storm, Debbie’s record label deems her irrelevant and abruptly drops her. Out of money, she leaves the fast lane of New York to move in with her sister in Youngstown, Ohio.
It is the year 2546. Corporations rule the world, and an agent is on a secret mission to explore the untold stories of the past. His journey leads him into a secret virtual reality where one corporation has recreated the 1980s, an era that witnessed the birth of video game development, an event in which a politically and economically restricted small European country, Hungary, had a significant role. He discovers a strange but exciting world, where computers were smuggled through the Iron Curtain and serious engineers started developing games. This small country was still under Soviet pressure when a group of people managed to set up one of the first game development studios in the world, and western computer stores started clearing room on their shelves for Hungarian products.
The film, which marks the directorial debut of singer-turned-actor Luke Goss, is currently in post-production. Also starring Goss, alongside Robert Davi and Patricia De Leon, it tells the story of a man who must go to extreme lengths to discover what happened to his kidnapped wife and daughter. Soda intends to launch the film to coincide with the reunion concert tour of Bros., the 1980s’ pop band Luke performed in with his brother Matt. The reunion was original intended as a one-off concert at London’s O2 Arena on August 19, marking the anniversary of the band’s last concert in 1989. However, when that show sold out within a minute of going on sale the tour was expanded to include six further dates at the O2 and at other venues around the U.K. in August.
When an ambitious sorcerer summons three eldritch spirits from the darkness between the stars and they mistakenly transform into vampires straight from the 1980’s, it’s up to three fast-talking slayer sisters to put a stake in the lost boys and silence the sorcerer before the town gets bled dry.
Based on Jo Brand’s critically acclaimed novel of the same name, The More You Ignore Me is a warm, comedy drama focusing on the life of an unconventional family in 1980s rural England. The film focuses on Gina, a young mother, whose efforts to be a loving mother and wife are undermined by her declining mental health. Things deteriorate when she develops an obsession with the local weatherman, which leads to an admission to the nearby psychiatric hospital. Over the years, as she grows up, her daughter Alice struggles to relate to her heavily medicated mum, and causes chaos when she comes up with a plan to reconnect with her, which divides the family forever and leads to a moving climax. Set to the songs of The Smiths, The More You Ignore Me provides a sometimes stark, yet comical insight into life within this quirky household, whilst addressing mental health issues and their impact on the family.
“The Legend of Cool ‘Disco’ Dan” is the story of black Washington DC told from the perspective of Cool “Disco” Dan starting with his birth during the civil rights era and follows his life parallel with the rise of Go-Go music through the 1980s (which is the unheard but yet dominant urban music of DC) and also local DC politics with Marion Barry’s rise and fall. Despite ending up homeless Cool “Disco” Dan used graffiti to escape the social problems D.C. had in the 1980s when things turned violent and became known as the Murder Capital of the United States. Cool “Disco” Dan ends up as a cult character of DC and his name becomes a symbol of survival during DC’s most trying years.
Some thirty years ago, a working-class subculture was taking grip of cities across the UK that has left a lasting legacy. This began on the back of the mod revival of the late 1970s when notorious football firms from the cities like Liverpool, Manchester and London stole expensive designer sportswear from the countries they visited. It didn’t start with the high-street giants telling these lads what to wear. Instead, they set the trends and the high-street stores caught up. As the 1980s began in Britain, under the radar the ‘casual’ had already arrived. From Barcelona to Berlin, Milan to Moscow, teenagers today are copying fashions and a culture that developed on the streets and terraces of British cities. But how did the football casual subculture come about? What did they stand for? What made them tick? Why it’s legacy is still having an impact on today’s fashion industry.
An homage to the action films of the early 1980s, Cherry Bomb follows a young dancer and her quest for revenge against the group of men that brutally assaulted her. Seeing no justice coming from within the system Cherry enlists the help of her estranged older brother and some heavy firepower as the two siblings set out on a reckless revenge mission. Things start to spiral out of control when a mysterious hit man named Bull is hired to put an end to Cherry’s bloody tirade. She soon realizes that there is more at stake than she ever imagined.
Based on the best selling novel series by Jiu Yehui, the film follows the lives of five close students growing up in China in the 1980’s. Starring Eddie Peng and Ni Ni and directed by Zhang Yibai, this inspiring romantic drama covers fifteen years of friendships, youth and memories.
Patricia Arquette stars as American widow Laura Bowman, a young doctor who’s unwittingly drawn into political turmoil while vacationing in Burma in the late 1980s, in this fictionalized drama based on actual events. Bowman initially left San Francisco with her sister (Frances McDormand) in an attempt to escape painful memories of her husband and son’s violent deaths. But her fight to escape to Thailand could prove just as harrowing.
Jack Slade was born during a solar eclipse in the year 1980. 18 years later, he finds out he has the ability to travel into the future. He projects himself into the year 2035, where society has been destroyed by a fascist regiment of psychopathic doctors that rule the wastelands, creating deformed mutants with a serum synthesized from the flesh of dead aliens. Now Slade must travel back to the year 1998 to destroy a device known as the wavelength generator, which opened the dimensional gateways to these alien beings. With the help of an army of female outlaws and a sleazy detective, Slade re-connects with the star child Khadijah, who holds the key to stopping these tragic events from ever taking place.
